So, I decided that the material on the Hellcats' website should be here for blog viewers to read.
For free recordings of The Hellcats (mp3), visit the website.
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by MSG Donald Trefethen
DOUGLAS MACARTHUR, “I listen vainly, but with thirsty ear, for the witching melody of faint bugles blowing reveille, of far drums beating the long roll.”


The Hellcats field music group at West Point has a heritage that dates back to those Continental fifers and drummers. Their legend began early in the American Revolution, when elements of General Samuel Holden Parsons' brigade, including fifers and drummers, crossed the frozen Hudson River to establish the garrison of West Point in January of 1778. This field music connection gives the Military Academy Band the distinction of being the oldest active band in the U.S. Army and the oldest unit at West Point. Within a few years of those first few field musicians arriving at West Point, inspection records show there were literally hundreds of fifers and drummers on site. Following the Revolution, troops were mustered out and there remained “fifty-five men at West Point” including one fife and one drum.
With the establishment of the Academy in 1802 came an increased demand for military music. As the Academy grew, it needed fifers, drummers and buglers to drill the new cadets and provide an audible order to their duty day. Throughout the 1800's there seems to be an average of fifteen field musicians on site at any one time. “Drummer boys” were still being used in field music to play all the cadet calls until around 1880. Keyed bugles were the original brass band instruments and were introduced to the U.S. from Europe by West Point's bandmaster Richard Willis. The band's first bugler, Frederick Lewis, arrived in 1815 and served until 1821. By 1853, the Academy Band was using two assigned buglers to perform cadet calls. Complicating the matter, attached cavalry buglers (such as Louis Benz) were used for United States Corps of Cadet duty. This “Duty Bugler” position remained active until 1942 when it was eliminated and the company bugler duties were transferred to the Hellcats. The field music bugles do not appear to have been used in massed formations until perhaps WWI. By 1918, records show the field music instrumentation included fifes, drums and bugles with a strength of twenty-nine men. This basic configuration would remain the field music standard through the end of WWII. At the end of WWII, band strength was in a free fall as “end of war” discharges and a general reduction in force continued to remove personnel. By 1946 all that remained of the Hellcats was three drummers and two buglers. Field music support for reveille and meal formations was halted indefinitely and could not resume until 1949 when field music regained sufficient strength.
Through the 1950's and 60's, modern Hellcat techniques began to develop. As young men with new visions moved into leadership positions, the Hellcats took on a new look and sound. Captain Resta, the Commander of the USMA Band in 1953, asked a young Sergeant Richard Pelletier if he could turn the Hellcats into something special.



The field music drummers had been playing traditional rope tension drums at West Point since the Revolution. This continued unchanged until the late 1930s when rod tension drums first appeared in the band at West Point. Rope drums reappeared in 1965 as a new set were purchased from the Gretsch Drum Company for use on special occasions. The tradition of rope tension drums returned full time to West Point in 1990 when the Cooperman Fife and Drum Company produced a set of custom rope tension drums. These drums are used for parades and shows while the old Gretsch are still serving faithfully as the every-day work drums. Around 1933, the fifes were totally dropped due to pitch problems but were shortly replaced by piccolos that blended much better with the bugle. The standard army issue bugles became chrome plated in 1923 making them unique to West Point. From 1932 forward, custom chromed bugles with one valve in Bb/F became the new standard field music horn. Around 1946 new single valve Bb/F bugles designed by Vincent Bach were doing duty at West Point followed in the 1960s by a set of bugles produced by Donald E. Getzen. In 1998 the newest set of custom bugles made their debut at West Point. Mr. Clifford Blackburn of Blackburn Trumpets made improvements on the old design, creating new horns that play freely throughout the entire register, while retaining a dark, characteristic bugle sound. With this new line of custom-made instruments in their hands, the Hellcats continue the legacy of musical tradition at the Academy with an improved level of excellence.
Pride, intense esprit de corps and a sense of historical continuity inspire the distinguished service of today's Hellcats. With their precise marching, embellished by the twirls of silver bugles and intricate rudimental drumming, the group delights many thousands of spectators each year. The Hellcats function as a completely independent group with a full show package and are capable of adapting their production to any performance venue. In 1994, the Hellcats were honored to participate in the deactivation parade of the Allied Strike Force as it made its final departure from the city of Berlin. The Hellcats have been featured on every major television network morning show and they have been warmly received at military tattoos in Atlanta, Georgia and Hamilton, Ontario. In 2002 the group was invited by Skitch Henderson to perform in Carnegie Hall with the New York Pops Orchestra. The Hellcats also were requested by Keith Lockhart and the Boston Pops Orchestra to spice up the 1812 Overture in their Fourth of July celebration at the Hatch Shell.
The Hellcats of the twenty-first century are staffed by highly talented musicians, professionally trained and equipped with custom instruments designed and hand-made specifically for them. Today's Hellcats enable the United States Military Academy Band to maintain faithful renditions of traditional American military music and to daily provide the Corps of Cadets with a unique piece of living history.
“A bugler in the army is the luckiest of men; he wakes the boys at five and then goes back to bed again; He doesn't have to blow again until the afternoon; if every thing goes well with me I'll be a bugler soon.”
- Second Verse; Oh How I Hate To Get Up In the Morning. Irving Berlin 1918 -

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