Sunday, January 26, 2020

A Study of African-American Drum and Bugle Corps and Their Communities

By Jamil Jorge

Thesis submitted in partial fulfillment of the requirements for the degree of Master of Music in Music with a concentration in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2017, Urbana, Illinois

(Download Thesis here.)


This thesis examines three Black drum and bugle corps from the Civil Rights era of the nineteen-fifties and sixties: the Carter Cadets and the CMCC Warriors Drum and Bugle Corps from New York City, NY and the Washington VIPs from Washington, D.C.

It uses historical and ethnographic methods to present a history of Black corps, mainly based on interviews with alumni. By using theories of space and community, the goal is to analyze how urban planning made way for the formation of Black corps in inner cities.

These marching ensembles served two purposes within their communities: to teach youth valuable life skills to benefit their socioeconomic advancement, and to protect them from likely life-threatening situations, including drugs and violence, by showing them how to embrace their Black identities and create awareness of different opportunities.

The significance of this study is to present a little- researched performing ensemble within the United States, and base it historically during the Civil rights era to show one way Black communities coped with urban planning and the lack of socioeconomic opportunities in their neighborhoods.

Carter Cadets:

CMCC Warriors:

Washington VIPs:

A History of Rudimental Drumming in America

A Monograph Submitted to the Graduate Faculty of the Louisiana State University Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music

by Eric Alan Chandler
B.S. Ball State University, 1983
M.M. Louisiana State University, 1985
May 1990


Rudimental drumming gained significance in America during the period of the Revolution. Ever since the late eighteenth century and through the nineteenth century, it was used exclusively in the military. This study traces the migration of drum rudiments and their use in military settings from Great Britain to America.

The contributions of the Swiss drummers and the incorporation of their drum music into American rudimental drumming are also examined.

The introductory chapter covers related pertinent and prefatory topics such as a definition of rudimental drumming, the duties of the military drummer, non-rudimental types of drumming and a summary of the origin and development of rudimental drumming in Europe.

The second chapter, which constitutes the body of the work, begins with an investigation of military drumming in America beginning in the Revolutionary War era and contin­uing through the nineteenth century. This chapter also includes calls, signals, and various rudiments used by the American military drummer as well as an analysis and inter­ pretation of the changes that took place in performance practices and notation.

The third chapter deals with rudimental drumming in the twentieth century beginning with the bands of John Philip Sousa, comparing techniques and principles of the past to modern marching percussion sections. Changes in rudiments during this century through the efforts of the National Association of Rudimental Drummers and the Percussive Arts Society are also examined.

The study concludes that many of the same rudiments and patterns used in Europe from the fifteenth century, and in America from the late eighteenth-century, are still used today and have remained unchanged. It has also been con­cluded that, in comparison to other countries, a large number of drum manuals have been published in America prior to the twentieth century.

A further conclusion acknowledges multiple applications of drum rudiments to other percussion instruments. Often, the work of any such project is measured in part by its usefulness and contribution.

This study will serve as a reference for the rudimental drummer as well as for the historian and could be used by scholars and instructors at all levels.

Download the work at

Monday, January 13, 2020

Javier Morales performing "Andersonville"

Javier Morales performing "Andersonville" as a tribute to the legendary Bob Culkin at 4th Annual Drumming For Our Veterans, Jan. 11, 2020 produced by Chet DoBoe.

P.R. Winn, Drummaker

An article by W. Lee Vinson, author and publisher of and . For Lee's story about ...